Showing posts with label Ernie Wilkins. Show all posts
Showing posts with label Ernie Wilkins. Show all posts

Thursday, August 29, 2013

Birks' Works

Composed by Dizzy Gillespie, arranged by Ernie Wilkins




Our Birks' Works arrangement is a Mats Engström transcription of the great Ernie Wilkins arrangement. Check out that lineup!!

Talib Daawud, Lee Morgan, Ermit V. Perry, Carl Warwick, Dizzy Gillespie (trumpet), Al Grey, Rod Levitt, Melba Liston (trombone), Ernie Henry, Jimmy Powell (alto saxophone) Billy Mitchell, Benny Golson (tenor saxophone), Billy Root (baritone saxophone), Wynton Kelly (piano), Paul West (bass), Charlie Persip (drums), Ernie Wilkins (arranger)

Soloists: Benny Golson, Dizzy Gillespie

You'll find it on the Verve album of the same name: Birks' Works.

Friday, August 23, 2013

Corner Pocket

Composed by Freddie Green, arranged by Ernie Wilkins





Corner Pocket (also released with lyrics as Until I Met You) was penned by long-time Count Basie guitarist Freddie Green in 1955 for the April In Paris album. It became a Basie staple thereafter. According to Frank Foster, it was arranged by Ernie Wilkins.

Wendell Culley, Reunald Jones, Thad Jones, Joe Newman (trumpet) Henry Coker, Bill Hughes, Benny Powell (trombone) Bill Graham (alto saxophone) Marshall Royal (alto saxophone, clarinet) Frank Wess (tenor saxophone, flute) Frank Foster (tenor saxophone) Charlie Fowlkes (baritone saxophone) Count Basie (piano) Freddie Green (guitar) Eddie Jones (bass) Sonny Payne (drums) Ernie Wilkins (arranger)
NYC, July 26, 1955

Here's a live 1962 performance:



Freddie Green was part of one of the most famous rhythm sections in jazz history, with Count Basie on piano, Jo Jones on drums, and Walter Page on bass. With Basie for over 50 years, Freddie Green appeared on nearly every Basie recording made between 1937 and 1987.

Friday, August 16, 2013

Moten Swing

Composed by Bennie Moten and Buster Moten, arranged by Ernie Wilkins



Our Ernie Wilkins arrangement of Moten Swing is from Count Basie’s 1958 classic album Chairman of the Board.

The lineup is: Count Basie (p), Freddie Green (gt), Eddie Jones (b), Sonny Payne (dr), Snooky Young, Thad Jones, Wendell Cully, Joe Newman (tp), Al Grey, Henry Coker, Benny Powell (tb), Frank Foster, Billy Mitchell (ts), Marshal Royal (as,cl), Frank Wess (as,ts,fl), Charlie Fawlkes (bs,b-cl)

From Bob Bernotas’ liner notes:
Before "One O'clock Jump," the Count's original theme song was “Moten Swing”, first recorded in 1932 by Bennie Moten's Kansas City-based band with young Bill Basie on piano. In Ernie Wilkins' updated chart the leader handles the first chorus with typical economy and understatement, the band introduces the once heard, never forgotten theme, and Frank Wess on tenor and Joe Newman on muted trumpet split a chorus. The full ensemble returns with an infectious variation that builds into some brass-versus-saxes riffing, bringing the performance, and the disc, to a joyous close.
I compared this studio recording with a few other live Basie recordings of the tune (ca. 1959-62), and he always played the same (rocking left-hand?) piano intro (or some minor variation of it) you hear on this recording, not the simplified one notated in our copy of the arrangement. Otherwise, I think it matches our chart exactly as far as I can tell.

And the following "compare-and-contrast" jag is kind of interesting. Check out the ("original") Moten Swing recorded by Bennie Moten's band in 1932:


I was surprised at out how it got simplified over 27 year span, but how you can still hear some of those lines in the original (and incredibly hip) '32 arrangement.

And then there's the original "You're Driving Me Crazy" (Guy Lombardo, 1930) it was based on (what a leap!):